“We are pleased to present a written interview with Tanya Ling, a British artist of Indian descent, born in Calcutta in 1966. Ling has built a multifaceted career spanning both fine art and fashion. After studying at Central Saint Martins in London, she worked as a designer for Christian Lacroix in Paris before transitioning into painting, sculpture, and drawing. Ling’s practice continues to evolve through collaborations and exhibitions worldwide. In this interview, we explore her artistic journey, creative process, and the inspirations behind her most recent works.”
– Tom Smith
BALDUR HELGASON: SPIRITUAL PAINTINGS FOR EMOTIONAL PEOPLE
Spiritual Paintings For Emotional People: Baldur Helgason New Show in Los Angeles, CA.
MARK WHALEN: GENTLE REMINDERS
Over the Influence, announces a solo exhibition “Gentle Reminders” by Los Angeles-based artist Mark Whalen.
ANA BENAROYA: TEACH ME TONIGHT
New show by Ana Benaroya, Teach Me Tonight, on view at Richard Heller Gallery in Santa Monica.
HAJIME SORAYAMA: SEX MATTER AND TREX
Nanzuka is presenting two concurrent solo exhibitions featuring new works by artist Hajime Sorayama (1947-): “Sex Matter” at Nanzuka’s main gallery space, and “Trex” at Nanzuka 2G (Shibuya Parco).
DAWOUD BEY: AN AMERICAN PROJECT
Early portraits of Harlem residents are part of a full-scale retrospective, Dawoud Bey: An American Project, at the San Francisco Museum of Modern Art.
TOMOO GOKITA: GAME OVER
Massimo De Carlo is pleased to present Game Over Tomoo Gokita’s first solo exhibition in Milan, and second with the gallery.
TODD JAMES: WARM WELCOME
Eighteen gallery is presenting an exhibition by Todd James “Warm Welcome” on view from February 29 – April 17, 2020.
TENNIS ELBOW: JULIA CHIANG
Tennis Elbow is presenting an exhibition by Julia Chiang on view from February 29 – March 6, 2020.
RYAN TRAVIS CHRISTIAN: BANG BANG PLAY
The Galería Javier López & Fer Francés is presenting an exhibition by Ryan Travis Christian “BANG BANG PLAY” on view from February 28 - April 30, 2020.
CINGA SAMSON: AMADODA AKAFANI, AFANA NGEENTSHEBE ZODWA
Perrotin announces Amadoda Akafani, Afana Ngeentshebe Zodwa (men are different, though they look alike), an exhibition of 28 new paintings by Cape Town based artist Cinga Samson, marking the artist’s first solo exhibition at Perrotin.
MIKE LEE: SUNNY DAYS
Over the Influence is presenting the first solo exhibition of Mike Lee with the gallery. Sunny Days at Over the Influence, Los Angeles will present a new body of works on canvas alongside new sculptures by the artist.
JOAKIM OJANEN: A DAY IN THE WOODS
AISHONANZUKA announces a solo exhibition of Swedish artist Joakim Ojanen “A day in the woods”, which will be Ojanen’s first exhibition in Hong Kong Asia.
NICOLAS PARTY: SOTTOBOSCO
Hauser & Wirth will debut ‘Sottobosco,’ the first LA solo exhibition for critically admired NY-based Swiss artist Nicolas Party.
PETER SAUL: CRIME AND PUNISHMENT
For over fifty years, Peter Saul (b. 1934, San Francisco, CA) has been one of America’s boldest and most iconoclastic painters.
HUNTER POTTER: I AIN’T HALFTHE MAN I WANTED TO BE
PUBLIC Gallery is presenting I Ain’t Half The Man I Wanted To Be, the debut UK solo exhibition of New York-based artist Hunter Potter. London, February 5 - 29, 2020
JONATHAN CHAPLINE: HUNTER GATHERER
NANZUKA is presenting a solo exhibition with New York-based American artist Jonathan Chapline. This exhibition marks Chapline’s first solo showcasing in Asia.
BALDUR HELGASON: TENDER
PADRE New York is presenting an exhibition by Baldur Helgason curated by Pablo Villazan “TENDER” on view from January 23 – February 22, 2020.
LOUISE BONNET: NEW WORKS
Galerie Max Hetzler is presenting new large-scale paintings by LA-based artist Louise Bonnet, in her first solo exhibition in the UK.
PETER SAUL: ART HISTORY IS WRONG
Almine Rech Paris is presenting an exhibition by Peter Saul “Art History is Wrong” on view from January 18 — February 29, 2020.
BRIAN CALVIN: SOUND
Almine Rech Shanghai is presenting Sound, an exhibition of Brian Calvin’s recent portraits. The exhibition continues the artist’s exploration of the unique genre of painting, and furthers the Calvin’s distinct development of emotions and imagery.