For her first solo exhibition: “Mother of Gloom”, at Perrotin Tokyo, Danielle Orchard places the importance of the mother front and center, tackling the complexities of maternal experience.

September 12 – November 10, 2024

Now open at Hauser & Wirth Monaco: “Surreal Legacies”. This exhibition explores the lasting impact of Surrealism, celebrating its centenary and highlighting the work of artists both historically and today who resonate with the movement.

September 26 – December 21, 2024

White Cube Seoul is pleased to present a solo exhibition by Mexican artist Gabriel Orozco, featuring paintings and works on paper originating from his 2021–22 series titled ‘Diario de Plantas’, a collection of notebook studies chronicling his impressions of vegetation and plant life gathered in Tokyo, Acapulco and Mexico City.

September 4 – December 14, 2024

NANZUKA is pleased to present a solo exhibition of new works by Yogyakarta-based Indonesian artist Roby Dwi Antono (b.1990) at NANZUKA UNDERGROUND, entitled “LUNAR RITUALS”. This marks the artist’s second solo presentation with the gallery.

October 18 – November 17, 2024

Lehmann Maupin is pleased to present Off the beaten track: the artistic meanderings of Sung Neung Kyung, the artist’s first solo exhibition outside of Korea. This exhibition comes on the heels of Only the Young: Experimental Art in Korea, 1960s–1970s, a monumental retrospective group exhibition surveying the Korean avant-garde.

October 18 – November 9, 2024

Half Gallery is pleased to present the exhibition “Slippers Gold, Oysters Cold” by the artist Andie Dinkin. Andie Dinkin takes the title of her first major New York solo exhibition from a snippet of prose by her favorite painter, Florine Stettheimer.

October 4 – November 2, 2024

White Cube is pleased to present ‘A SPELL OF GOOD THINGS’ by Ibrahim Mahama, the artist’s first solo exhibition in New York, which draws together ideas of physical labour, post-colonial collapse and reclamation.

September 5 – October 26, 2024

Lehmann Maupin is pleased to announce In Dialogue, a new series placing artists from the gallery’s program and beyond in an intimate conversation through the lens of their respective approaches to artmaking, often with a focus on foregrounding and contextualizing intergenerational discourse. For the series debut, Lehmann Maupin presents In Dialogue: Catherine Opie & Anna Park.

October 18 – November 9, 2024

Gagosian is pleased to announce Venus, a pairing of two rarely seen masterpieces from different millennia: Untitled (1982), a significant painting from Jean-Michel Basquiat’s acclaimed Modena series, is shown in dialogue with an Imperial Roman sculpture of the goddess Venus loaned from the Torlonia Collection in Rome, the world’s largest private collection of Roman art.

October 17 – December 20, 2024

Emerging as a leading figure of the new generation of painters, George Rouy’s debut solo exhibition at Hauser & Wirth London, ‘The Bleed, Part I,’ presents a new body of work continuing his inquiry into collective mass, multiplicity and movement. The second chapter, ‘The Bleed, Part II,’ will follow at Hauser & Wirth Downtown Los Angeles in February 2025.

October 7 – December 21, 2024

White Cube is pleased to present the first solo exhibition in Paris by American artist Sylvia Snowden, whose expressionist painting practice is dedicated to the complexity of the human condition. Over the past six decades, Snowden has developed and refined her painterly technique, which involves the building up of thick layers of acrylic paint and oil pastel on Masonite (in the early years) and canvas.

October 15 – November 16, 2024

Almine Rech Paris is pleased to announce its 12th exhibition in 3 decades with James Turrell organized by the gallery, entitled “Path Taken”. A new light piece from his ongoing Glassworks series started in 2004 is on view.

October 14 – December 21, 2024

“Hypercycle,” curated by art historian Matthieu Poirier, is a series of exhibitions at several sites across three continents from 2024 to 2026, with three chapters, each tracing a part of Lynn Chadwick career. The first chapter begins on October 12, 2024 in Paris, at the Centre des monuments nationaux–Hôtel de Sully and Perrotin.

October 12 – November 16, 2024

Pace is pleased to announce an exhibition of pioneering Korean performance artist and painter Lee Kun-Yong at its gallery in Geneva. The exhibition includes paintings and drawings that are emblematic of the spectrum of Lee’s practice, as well as photographs documenting a 1976 performance.

August 28 – November 6, 2024

KÖNIG TELEGRAPHENAMT is pleased to present the solo exhibition 7 RIVERS IN BONE ASH by Yussef Agbo-Ola. The artist creates an immersive environment featuring sculpture, installation, artifacts, and sound.

September 11 – November 16, 2024

Skarstedt is pleased to announce Andy Warhol: Who is Who?, an exhibition that delves into the myriad influences art history had on Warhol’s oeuvre. This exhibition traces his art historical appropriations throughout the 1970s and 1980s, featuring seminal examples of works from series such as Heads (After Picasso), The Last Supper, Mona Lisa, After de Chirico, and The Scream (After Edvard Munch).

October 14 – December 7, 2024

Lehmann Maupin is pleased to announce Meraki, an exhibition of new work by American artist Dominic Chambers, in the gallery’s permanent space at Cromwell Place in London’s South Kensington neighborhood. Marking the artist’s first solo presentation in the United Kingdom, Meraki spans two floors and includes expansive paintings, brightly colored studies, and several works on paper.

October 8 – November 9, 2024

Perrotin is delighted to present Emma Webster’s first solo exhibition in Paris, The Engine of Beasts. In her third show with Perrotin, Webster stages paintings alongside sculptures, so viewers may follow the representation of a beast in all its states.

October 12 – November 16, 2024

Gagosian is pleased to announce a presentation of prints by Jonas Wood at its gallery and shop in London’s Burlington Arcade. The display includes a suite of five woodcuts of bonsai and a new etching of a domestic interior, installed in the upstairs gallery on Wood’s botanical-print wallpaper.

October 7 – November 23, 2024

White Cube is pleased to present a solo exhibition of new work by Danh Vo, continuing the artist’s exploration of power structures and their influence on both personal and collective identity.

October 11 – November 16, 2024